Began inside Korea's music industry as lyricist, singer-songwriter, and producer. Wrote the lyrics to "Sin and Punishment," the #1 K-pop song of 2005, and more than 100 songs across two decades of recording credits. 4 solo albums. Over 300 live performances. Collaborations with 20+ artists.
As High Note's delegate, sat on Korea's Music Industry Development Committee, eight representatives from the country's principal music bodies. Only woman at the table. Among those who carried the campaign from Stop Dumping Music to the Royalty Revision Bill.
First artist to propose copyright legislation at Korea's National Assembly, with cross-party support. The proposal carried the language of practitioners into the language of law.
A period of film work. Led pre-production and strategic development, including scenario selection, on A Taxi Driver, one of Korea's highest-grossing films.
Serves on three KOMCA committees shaping Korea's AI and blockchain rights infrastructure. Observer to CISAC's Executive Committee, the international body representing five million creators across 111 countries.
First Korean artist at Chicago Booth, the business school with the most Nobel laureates in economics and the rigor of the Chicago School. Twenty years of Korean industry instinct, translated into finance, strategy, entrepreneurship, marketing. The advisory took shape.
Founded in Seoul. A boutique advisory for Western capital evaluating Korean content: intelligence, deal facilitation, post-deal support. Built by someone who has spent two decades inside the industries it translates.
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